Poem: Five Short Meditations on the Virgin Mary

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(Note: This poem was commissioned by Abdal-Hakim Murad for his essay appearing in the compendious volume, Mary, the Complete Resource, edited by Sarah Jane Boss and published in 2007. I don’t usually work this way, but it was a powerful adventure for me, with a rather miraculous dénoument described in the note at the end. The poem appears here in its entirety, having been edited for the book, with section 5 missing. I’ve kept the description of Artemis [Google Artemis of Ephesus for images] with multiple breasts, although there is now some controversy over whether or not that is what they are.)


                                               for Abdal-Hakim Murad

1

The Virgin Mary sat on a rock that was not wholly rock
in a world that was not wholly world

in a light that was Light direct
in the echo of a Command that came from God direct

whose womb was now to house a halo more than she could
possibly long for

and which made her fear
and caused her angel messenger to comfort her

as he stood at the door and mentioned how
God had designated her the hallowed hall for His pure breath to enter

to make a child with no seed but Himself
to show mankind His holy fatherhood over all

within the physical
but without physical union


2

The pen is hardly lifted

The penalty for birth is death

But he who would be born without coitus
would slide out of death without its mortal coil

Would be taken up to God without entering death’s womb
as he had entered Mary’s womb without birth’s usual folderol

She clutched a tree to steady herself
and dates fell to the ground around her

And he spoke to her from herself
to steady her

Rings of tumult sang around her
The Garden’s tree was now there to strengthen her

her nearing it part of God’s ordained structure
to redeem Adam and Eve’s descent to earth

by new prophecy through standing under
the virgin birth-tree’s sacred agency

Adam of no visible parents
Eve of no mother but father Adam’s rib-side

being both mother and father
now terrestrialized again in Mary’s husbandless pregnancy

though all of us are actually children
of much more than our mere mother’s earthly sympathy


3

I saw Mary board a bus at Broad and State
her head covered and her face radiant

small and held within herself
careful and preoccupied

a heaven seeming to be wrapped around her
her cheeks red her lips dry her eyes lowered

interior moisture her preferred cloister
the bus passengers sudden ghosts before her

her shoes small and tattered
her hands carrying a book

If any had spoken to her she might have become lost

If she had spoken to anyone
they might have become saved


4

None can be “Mother of God” but God

nor Creator of us but God Himself

Jesus begat in light sat in light and was transformed into light
beyond light’s shapes of dark and light

his salutation from where he is continues to excite us
just as Mary’s humility brings us home

to where impossible things are true
and true things impossible or possible by our own lights

to submit as purely to God’s sheer command of: Be!

more than enough to be
in Being’s age-long mystery


5

In Ephasis is Artemis
with multitudes of breasts
and legend says where Mary went
and where she died and rests

Teets our forms are fed from
virgin light that salves our souls
the two eternal females
through whom our life unrolls

The Virgin ever virginal
in modesty extreme
and Artemis whose many breasts
supply an endless stream

One statue standing among rocks
the other in her cave
whose house of stone is all alone
within the Light we crave

____________________________

NOTE

Walking in the woods as is my wont in the morning
June 9th 2005 Philadelphia Pennsylvania after strong storms and
all the trees dry now creaking in the heat and humidity
thinking of this poem
thinking of Mary peace be upon her
walking along the trail wondering to myself about the
Sufi Tariqa of the Mariamiyya
I suddenly hear a crack like horrendous thunder seemingly from
far away but look up above me in time to see a
huge bough break from the top of a tall tree with a giant screech and
hurtle down toward me at seemingly supersonic speed
I step aside yelling “Allah!” automatically heart thumping
and the heavy branch crash-lands exactly where I
stood a split second before and breaks into four or five
raw pieces cracked and shattered and me shocked and grateful
thanking Allah over and over thanking Him with all my being
my position just under it one split second before happily
not there for it to
crash onto me now safe and sound at the side of the trail
I wonder at the force of it as I continue now to wonder
Allah’s full and Awful Power exposed to me direct from the
core of the universe as if sky and earth and mortality itself were
opened up in the blink of an eye
and my life actually only a literal hair’s breadth away
from death

At the Thursday night Sufi meeting I describe it in detail
to Baji our Pakistani shaykha and first thing she asks is
“What were you thinking just before the bough broke and fell?”
and when I tell her I was thinking of the Virgin Mary
she says without a moment’s pause
“Just as Allah protected and saved Mariam
so Mariam protected
you
and saved you!

_____________________________________________

6/7-6/9/2005 (from Holiday from the Perfect Crime, The Ecstatic Exchange, 2011, first published in a different version in
Mary, the Complete Resource, Compendium Books, 2007)

Poem: These Faces of Ours

AHM DRAWING 1 copy

(Note: Just back from neck surgery, to zip out the last remnant of lymphatic cancer cells if they lurked, and we prayed, the surgeons and me, before — and the head surgeon, well beloved and an expert, reported to my wife, Malika, that “it certainly seemed to make the surgery go better,” and so hopefully successful. His assistant reported that he teased the little mass from near the jugular so deftly the vein wasn’t harmed, nor any nerves.  Now back at work, editing a collection of poems from 1994-95, A Hundred Little 3D Pictures, a jubilant one from that work:)


Everyone walks around with
faces of lovers of God, everyone,
young, old, grumpy, delighted, enraged,
empurpled with
rage, reddened with violent temper, drink,
despair, eyes like acetylene, blowtorch tongue and
nozzle nose, forehead like
perpetual landslide, no,

absolutely everyone,
cherubic and winsome, eyes bright as
flying saucers over sunlit skies in Chicago,
hands delicately rubbing fuzzy cheeks,

everyone walks around with faces of
God-intoxicated
creatures who know the true source of all
pain and pleasure,
each blood vessel a periscope gazing across the
sea of God’s bliss,
each vein a tributary from the swollen river of
God’s Glory, all these

beloved faces, going along their way, so
preoccupied, whisking past without
eye contact, mouths quiet but invisibly
engaged in continuous dialog,

but look!
Out of the womb, those fresh
faces of new fruit, eyes clenched, puckered
cheeks and chins, how they
slowly flatten out like sheets of
foolscap for writing on, and they
do get written on,
by quill pens a mile long held by
angels who scribble and scribble on our
faces day and night, awake and asleep,

eye-twinkles, mouth-wriggles, nose
twitches, furrowing of
brow, harrowing of
gaze, then the
sudden relaxation as of giant
mammals broken free from sea depths, suddenly
exultant in earthly sunlight,

faces of love or forlorn expectation, darkened with
drugs or despair, a great
cloud passed over, rain pelting
down on drawn eyelids,

my own face this morning so hopeless,
feeling the set of mouth and
deadening of eyes — but we’re in

God’s aquarium, we’re
measured from His element, our
faces are puzzle-pieces in the
entire world-picture of His
love. And each
facial gesture shows it, each
exchange of facial message
to God.

Out of our faces great doves explode,
great stretches of grass and flamingos,
great pampas of the
mastodons, and out of our

glorious faces banners of light unfold, rippling
through night sky, making their
own aurora borealis for us
to see by, light shaking multi-colored curtains of light,

and out of every face on earth come
flares and water spray and volcanic eruptions
of purest essentialness,
moods of mist and enlightenment of
dusty texts tucked away in Syrian libraries,

tiny exchanges of wisdom so
minute even gnats feel comfortable circling around
in their light,

so vast no bald eagle ever gets tired wheeling
endlessly in their sky.

_________________________________________________
|3/11/95 (from A Hundred Little 3D Pictures, being edited for publication, insha’Allah)

Poem: All the Dead Children

ALL DEAD CHILDREN

(Note: In 2003 this poem was written for all the dead children from our recent [and present] wars, for those children lost in Iraq, Palestine, Lebanon… But today we have just lost [and continue to lose] young innocent lives in a fit of madness again revealing the devastating psychic cracks in our society, be it from incessant crime shows, irrational gun romance, romanticized gangster rap… And these are just the tips of the icebergs…

So now this poem is for the lost children (and adults) of Sandy Hook Elementary School in Connecticut, and all their loved ones, here and everywhere…
______________________________________________


Angels are learning new tricks to entertain all the
dead children
just bringing them to a quiet place used to be enough
blue panels sonorous as cool winds rising to
infinite heights and
luminous rivers tasting of fresh milk and
passionflower honey

But now they are more restless and want something
lively such as fabulous displays and real
stellar extravaganzas to shut out the memories

All the wingéd horses have been brought in
and every banner from every battle ever waged
transformed into aurora borealis brightness is
planted on either side of the great arena which is
actually nowhere you can put your finger on and may be as
big as a sparkle or light years across

The angels begin conventionally enough and since they’re
anti-gravitational they are capable of some
pretty amazing feats their specialty being a
spinning array of a few billion shimmering their wings and
turning slowly at first in a
cone that goes up through so many dimensions the
children have to stop counting with
each dimension demarcated by another
color no one on earth’s spectrum has
ever seen before

Then the cone begins
turning faster and faster and shoots higher and higher
finally sweeping their astonished souls wide-eyed into a
vortex so swift they barely notice that they’re
arcing across fields of unearthly green and seas of
unoceanic turquoise

Each shroud has been made into a tent filled with
fabulous fruits and unidentifiable edibles of
uttermost succulence

Each soul has been given the Ultimate Glimpse
and the Accurate Portrayal
the Perfect Sustenance and the Infinite Intensity

Each time they clap their hands a new
universe appears
more fabulous than the last

And when they tire of such delights
William Blake reads to them from his new work
and Mozart comes in and plays them a tune
on a million pianos

_________________________________________________________________
4/11/2003 (from Psalms for the Brokenhearted, Ecstatic Exchange, 2006)

TIGER

LIFE OF PI the Movie

Just back from seeing The Life of Pi, in 3D, overwhelmed by it, and for me a truly cathartic experience. In it we are face to face with, well, in a metaphorical sense, in not overly rigorous tashbih perhaps, God.

A tiger. Blake’s Tyger. Face so profoundly symmetrical, masked and marked, brute and beautiful, snarling and truly dangerous, serenely transcendent, insouciantly in charge, divine beast, vicegerent of the most fearful Names, and all-powerful leashed and unleashed. Glorious.

Near the end, the boy hero looks up and thanks God (not the tiger) for bringing him with the live tiger on the little white lifeboat in the vast ocean, to keep him awake, aware, one-pointed. In focus. And for me, having undergone a summer this year of cancer treatment, every day asking God’s help with the most sincerity I’ve ever had, and the most focus, there was a deep poignancy of that facing-off, that face to face and ever-present encounter, and the film actually opened some locked floodgate of emotion in me when storm and ocean and tiger were over, and in cathartic release, let it out.

We are so brave, we have such faith, yes, but there is a buildup of, not fear really, but encountering the fearsomeness of existence and death, that impinges on us when we’re truly fighting for survival through a sickness, or whatever tribulation. As the boy was on the open sea, tiger constantly before him.

I had watched a short video of Shaykh Hamza Yusuf in the afternoon, on Dunya, this-world concerns. And in it he was saying that dunya is set up to bring us tribulations, a state in which we are closest to God, usually closer than when all’s going well, and that we look to their transformation into ease, as the Companions did, blessings on them all, who endured tribulations in their lives rather than in the practice of their Way, which has a profounder anchor and an unwobbling pivot. For with difficulty is ease. Is ease.

And then in the evening, Life of Pi. Whew. And both, as Shaykh Hamza presented it also, have a happy ending. That we all look forward to a happy ending, and pray and hope for it. And then the film reminded me of a poem from my book, Salt Prayers, poems written in 1998, inspired from another film, Passion in the Desert, where the beast is a leopard, that in turn reminded me of a quote I’d read long ago from Al-Ghazali, raheemullah, whose gist was that if a real lion is at our throats it is no longer a metaphor for God. It is God. The Doer in all doings.

At this moment Life of Pi is up there with Himalaya and Babette’s Feast as the greatest spiritual films I’ve ever seen. They advance you on the Path.

Here’s the poem:


I’M IN LOVE WITH A PANTHER

1

I’m in love with a panther. I’m in
love with her claws, with her
savage breath and those teeth on the
cutting edge of danger. I’m in

love with her eyes which see in a way I
can’t know, not with
human seeing, green-gray, they

flash in the night, spotlit, as if the
light comes from deep inside her and is
laser beamed through her pupils outward. I

love her sleekness. She can be ahead of me in
a pounce, her back flanks rippling with
sheer power. Terror

in the air as she leaps forward. I love that she’s
distant from me in nature, I’m bound by her
strength over me, she could
kill me in a wink and

probably will, most certainly will, when I
least expect it, from the side, or from in
front, with sweet and
ample preparation, closing in on me gradually,

I love that, I love her darkness, sheen of
burnished velvet, she is erotically
charged but far beyond such
passing passions, she

flattens next to me and flicks her ears. She’s picking up
faraway sounds. No sound
escapes her. I love the

shadow she pulls close across me, starting from my
toes and moving upward to my
scalp with hair standing on end.
She looks me full in the eyes, but when I
gaze into those eyes like
freefalling on a night of
absolute blackness, falling deep
into them, it’s nothing

familiar, nothing I can easily translate, it’s
cuneiform hieroglyphics and the
calligraphy of an enticing death, that we

both get wrapped in a black fur cloak and that we
lose our distinct identities, and when the
smoke clears we’re at ease among her

rocks at her accustomed height, just
above the tree line, noses

pressed against a sky so pristine white
it’s like the inside of shell.


2

Her teasing only makes me ask for more.
Reality goes way past metaphor.

She takes me to the edge and I look down.
She crouches forward, face impassive, yawns.

Miles down the rock face is her element.
She’s part of shale and schist, rock, cement.

As easily down an office building’s slope
I look down with my panther at my side, hopeless

as well as full of hope. Black thing. Gorgeous
as death is. Through valley gorges,

peaks, stealthily as well as obviously she goes.
Her blackness starkly silhouetted when it snows.

I’m dandled, played with, left alone, surrounded.
Everywhere I go I’m panther-bounded.

Her purr’s a sound like no sound ever sounded.
Her growl like gurgling tree roots, primordial groan.

With her I’m never lonely, yet alone.
Her roar puts out the night, lights up the moon.

3

My panther who blends into the night
and is gone. Present but

not plainly visible.
Her formlessness spreads out across the sky at dawn.
___________________________________________________
6/24/98 (from Salt Prayers, The Ecstatic Exchange, 2005)

Life of Pi, note and poem

Poem: Compassionate Zone

DOWN AT THE DEEP END 23


Streaks of color in the sky —
can it be the blood of angels?

The sky itself —
can it be the breath of God?

In the underbrush a noise —
a something’s there

cleaning house?

The four or five or more
dimensions —

a ghost’s body
giving birth to life?

We travel to the cardinal points —
then are we anywhere

but at our starting point?

Questions come
and are themselves the answers —

a Cyclops or unicorn
as easily as an ant?

Staring into the air
are we gazing at

God’s aquarium?
Loving each other to the bone —

are we loving any
other than God?

You’re seventy-two Abdal-Hayy
yet you’re still a child —

Still at sea
any closer to the shore?

Or is the sea the answer?

Love comes in a puddle
as well as a pillow —

Do you breathe it in
and exhale its

compassionate zone?

__________________________________

12/11/12 (from Next Life, in progress, insha’Allah)