Video poem: Timetable 1

from SPARROW ON THE PROPHET’S TOMB

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TIMETABLE 1

All the historical pantomimes
that spelled out subtitles in fractured rhymes
under the movie that unrolled forwards or backwards
were resolved in a blink by the spark of the falling swords
as they clanged into the tree-trunk at the end of time
to signal the cut-off point of the nonsensical pantomime.

A large round table in a large square hall
where men in uniforms stood before their fall
and unrolled a map of the world laid flat
and passed a pencil from one hand – fat
and pudgy with excess of pork in their diet –
to another to draw outlines in a universal riot
of borders and frontiers and nationalities crazed,
then shook hands and sniffed importantly,
leaving the peasantry dazed
for decades in hemmed-in contraptions of death
that counted off heartbeats and charged rent for each breath.

Kaisers and kings and presidents and führers,
shoulder to shoulder under portraits of ancestors
in a chandeliered hall in Vienna, Austria,
an old world country with shelves full of china
and invisible cobwebs behind beer-mugs and plates,
and visible dust on the map of new states
as they left the table to the drawing-room cigar
as flames caught its edges and began the scar
that ran its wound through the human heart
separating mankind into one cubby-holed part
next to another, like several square pigeon-coops set on the globe
as it turns slowly eastward in its cloud-lined robe.

The life of this world
is just a series of skeletons dancing in the dark.

The life of this world
is a series of skeleton keys opening different doors.

_______________________________________

THE FEW WITH ELEGANT MANNERS

The few with elegant manners came as if alighting from horses,
they stepped down and gathered folds of radiance around them
as their feet hit the ground which showed no footprint below them
for it was not solid ground beneath them
— the footprints in dirt were for those
who saw it as gross and solid beneath them —
they went on, straight-backed, to their places
and stood patiently waiting, but their waiting was bird-flight,
wings in the wind, all the flurry of wing-tips that ever
flew in the world down below
fanned now in the air of their waiting.

Their faces were moons assembled on cloudless horizons,
their eyelids were shields drawn down over inward gazes,
their hands rested at their sides, relaxed and pulsing,

no terror shook them, as promised,
no last-minute griefs or regrets,
no sudden anxieties to go back to do something differently.

They cast no shadows as the sun bore down upon them,
shaded by the Throne that stood
immaterially before them.

These were the Chosen Ones

Video & Poem: from The Chronicles of Akhira

THEY CAME DOWN FROM THE HIGH AND LOW PLACES,
they threaded themselves along
through the intricate threadings,
the ancient ones and the new ones,
all the famous were among them,
all the shining stars,
all the historical glory-grabbers, the great thieves,
all the inventors with their psychological quirks,
the nobodies came as well, the flowing multitudes of the anonymous,
the endless dissatisfied housewives, authoritative bureaucrats,
gas-station attendants and couples with no children,
philanthropists and the workaholics,

they came through the sandy pass,
faces were indistinguishable, differences unnoticed,
naked they came and assembled,
fear for their own state kept their eyes on the ground,

they came and made ranks,
the noble and notable next to the hardened criminal,
the saint in his glow next to the shrew in her darkness,
all the Chinese came, all the Australian Aborigines,
some who had never been clothed came,
and some who had never been out of them,

important socialites were bereft of their diamonds,
the scholar with references bereft of his briefcase,
the policeman with his beer-belly pitched on his heels,
the priest with his miter now gone, lost in a haze,

well-known faces recognized in the earthly crowd
were lost in the mass now, shaded by the one standing next to it,

no Rolls-Royce stood ready for the king,
his feet made dust-prints with the rest,
no helicopter hovered to take the millionaire away,
he felt the weight of his reconstituted body now with the rest,

as they awaited the setting-up of the scales,
as humanity assembled on the plain under a blinding sun
and awaited the judgment to fall

that would decide each one’s place.

Even the sainted were afraid, the ones whose hearts
glowed like a sunrise
through the transparency of their rib-cages,
even they were covered in sweat to their eyebrows,
the camel-drivers of the edge,
the caravan-leaders at the margins of the earth,
the destitute, delicate, daring hearts who
stayed up nights calling out in hope
and spiritual derangement,

they took their places in this place of no-place
and awaited the click that would tell all,
the sinking or rising of the pan
with the light or heavy scales registering
the forever of their moments
lengthened out now along a line

visible from the beginning to the end of each life
like a straight narrative, or a string with knots in it.

No flaws in the universe,
and the universal memory has no lapses.

Each dwarf or giant of sensibility and care
came to the jamboree

at the beginning of Eternity
and wondered in its echoes

what its final fate would be.